The works of Flaminia Lizzani (Rome, 1963) are intimate fragments, notes of seemingly anonymous landscapes that, in reality, engage in a dialogue with the great history of art. Captured in different moments and places, these images are carefully selected by the artist according to private and solitary trajectories—maps of memory that resist the temptation of easy and banal beauty. Her expressive media range from installations (such as the one created in 2011 for the group exhibition Primo Centro, curated by Alessandra Bonomo at the Castello Aldobrandesco in Arcidosso) to painting (her first solo exhibition, Nidi di Donna, was held in 2018 at the Casa Internazionale delle Donne) and finally to photography. In 2021 and 2022, she was awarded an artist scholarship by the Franz Ludwig Catel Foundation. In 2020-21, she participated in the exhibition Piranesi Oggi at the Casa di Goethe in Rome. In 2023 and 2024, she took part in The Phair - Photo Art Fair Torino. In November 2023, Banca Patrimoni Sella & C. hosted her exhibition Visioni.

Begoña Zubero (Bilbao, 1962) has explored various genres throughout her career, ultimately placing the landscape at the core of her research as an element capable of preserving identity, memory, and imagination. She has participated in numerous artist residencies in Italy and abroad, including in Rome in 2002 and 2012. In 2014, she participated in the 14th Venice Architecture Biennale, curated by Rem Koolhaas, with the project Cinecittà Occupata. In 2016, she exhibited in the show Extraordinary Vision. L'Italia ci guarda at MAXXI in Rome, presenting a selection of photographs from the project Gente del Po. The selection of works in this exhibition is part of the project NEEEV - Non è esotico, è vitale(2020), the result of an artistic residency in Iraq, sponsored by the Moving Artist Foundation. In May 2025, she will inaugurate the exhibition Classicism and Modernity in the Foro Italico by Enrico Del Debbio at MAXXI Architettura in Rome, curated by Ariane Varela Braga, based on materials from the Enrico Del Debbio Archive and focused on the spaces of the Accademia, the Stadio dei Marmi, and the Farnesina.